the role of imitation in a montessori classroom

Everyone knows that imitation is the sincerest form of flattery. While this may or may not be true, it is certain that imitation is also a powerful learning tool. Studies abound illustrating the human tendency to mimic, both consciously and subconsciously. Participants watching a video featuring rude exchanges between actors are liable to be rude themselves when put in social

situations immediately afterwards. It is clear that as a species our behavior profoundly influenced by the people that surround us, and this can impact both our actions and our learning.

How does this manifest itself in a Montessori environment? One clear component is the multi-age classroom itself, an aspect that holds many advantages for students, parents, and teachers. Children enjoy the security and comfort of staying in one room for three years. Parents don’t have to reintroduce their child’s strengths and challenges to new teachers each

September; knowing his or her teachers will gain a deeper understanding of a child’s needs given a three-year cycle. For teachers, the variety of ages and developmental stages in the same classroom allows children to move more freely through a scope and sequence of study, as the so-called “shotgun” approach, requisite to a single-aged classroom, is not necessary.

As important as these elements are, Montessorians have known all along that there are also clear pedagogical advantages to a multi-age classroom and the opportunities

it affords to use imitation as a tool for learning. Younger students watch older students, hear the language of the lesson given on the next rug over, observe the use of more complex learning materials, and mirror their behavior. This is why we often hear Montessori teachers emphasize to these older students their role as models and peer teachers. And, of course, the teachers

themselves give lessons in such a way, with great care and exaggerated movements, as to stress key elements in any given lesson. For example, the forty-seven steps to washing your hands. We can see how Montessori’s use of the phrase, “the absorbent mind” reflects her understanding of the importance of imitation.

the role of interest in a montessori classroom

Most adults observing a Cornerstone classroom are quick to notice its strengths. The use of manipulative materials, the small group lessons, the beauty of the prepared environment, the freedom of movement, all form an impressive tableau. A more in-depth observation would also clearly reveal the integration of subject areas, the social interaction, and the element of choice. Within that structure, students move with purpose (most of the time) and ease, seemingly without adult compulsion. Children voluntarily seek out activity, come to lessons willingly and happily, work with peers of their own accord, and, with guidance, take responsibility for their education. The structure for this drive does not come from a draconian adult or some other extrinsic force. Instead, the children appear to have an intrinsic urgency to act upon the environment. Why?

A crucial aspect of any Montessori classroom is perhaps less discernible due to its conspicuousness. The driving force in the child’s interaction and progression through the curriculum is deep interest. It is the tree that can’t be seen for the Montessori forest. This passion is created through creative and impressionistic lessons, the presentation of grand concepts, the use of large numbers, the emphasis on the power of imagination, and the liberty to choose a compelling activity for one’s self. More than a natural incentive, interest further serves as a powerful tool for learning. Studies clearly show that we are much more likely to assimilate information if it holds strong interest. One such study had participants list a series articles in terms of their interest. Not surprisingly, comprehension scores on these readings mirrored the ranking given. Areas of higher interest naturally hold our attention, heighten our focus, and compel us to iteration and practice. Consequently, the learning that takes place is more meaningful, more profoundly held, more deeply understood, more logically connected and synthesized.

And need we mention joy? So, at the end of the day (the metaphorical day, not 3 o’clock dismissal), it is the child’s likely response that speaks volumes in its simplicity. “Why do you like going to school?” “It’s fun.”

learning in context in a montessori classroom

A Montessori education provides a rich and integrated curriculum that stresses learning in context. The study of geometry includes a study of its Latin roots, a study of unlike denominators in arithmetic includes the writing of the rule, a study of an ancient civilization coincides with a study of rivers, ph studies evolves into soil testing. Specific Montessori materials can also reflect this sense of context. For example, the Detective Triangle Game, located on the language shelf, consists of a box of triangles of different types (scalene, isosceles, etc…) in different colors and of different size. Labels accompany the work: “Find the large, red, equilateral triangle.”…etc; geometry as a grammar work. Speaking more broadly, the concept of Cosmic Education, unique to this pedagogy, is the overarching theme of a Montessori classroom. It holds the fabric of a Montessori experience together and places everything the child learns in context. Cosmic education states, grandly, that a human developmental process underlies all growth, and further, that education has a role to play in this development. It is a belief that theoretical structures, in all areas of study, should find practical use within our classrooms. Simply put, Cosmic Education presents three concepts; that all things are interdependent; that humans have a role in the universe; and that each of us has a cosmic task.

One aim of Cosmic Education is the development of the whole human being. It would follow then that academic achievement is not the only goal of a Montessori classroom. The child will realize their full natural potential, learning that involves the physical and emotional being, not only the intellect. A second aim is the formation of relationships. By building a sense of marvel and respect for the vast scale of things and appreciating the dignity of all things, we show a relationship between the child and the universe. A third aim is the realization of responsibility, to all life, to the human species, and to the child themselves. And a last aim is one of independent action. In broad terms to take, but to give in return, to share willingly and with compassion, and to appreciate both the conscious and unconscious service of those plants, animals and humans that have come before us. Cosmic Education then, is not a singular area of study, but rather a connective web that unifies the curriculum, providing both respect and responsibility to the child throughout their school years.

the bead cabinet grows up

“The child gives us a beautiful lesson – that in order to form and maintain our intelligence, we must use our hands.”  – Maria Montessori

The beauty and efficacy of Montessori pedagogical materials is well-established. Designed specifically for the developmental stage of the children in a given classroom, they meet a child where they are in the moment. There are a handful of Montessori materials, however, that follow the child from one classroom level to the next. Their presentation to children, as they age, grows in complexity and deeper in understanding.  One such material that finds a home both in Primary and Elementary classrooms is the Bead Cabinet, that big and beautiful collection of squaring (short) chains and cubing (long) chains from one to ten. Many fused squares and a single fused cube for each number is also displayed.  An emphasis on counting was present in those younger environments, but this would surely be “baby stuff” to a six-year old. Instead, our work in the Elementary years, the Second Plane of Development, will range from seeing patterns, skip counting, multiplication tables, and a nascent understanding of squaring and cubing.

The colorful array of linked chains, squaring chains arranged on horizontal shelves that gain in length from one to ten, and cubing chains hanging vertically, are all presented similarly. Each chain, each number, has a corresponding box of arrow labels, in that chain’s color, that always include the cardinal numbers up to that number and then its multiples. The box that accompanies the squaring four-chain for example, contains the labels 1, 2, 3, 4, 8, 12, and 16. The last label arrow in a series is wider, to denote that it is the square of that number. The cubing chain has a matching color box with cardinal numbers, wider arrows for the squares it contains, and the widest of them all, the mother of all labels if you will, is the cube. The arrows contained in the light blue cubing box to match the five-chain for example, will have 1, 2, 3, 4, 5, 10, 15, 20, 25 (wider arrow), 30, 35, etc… ending with the widest arrow for 125. The arrows for 50, 75, and 100 are wide, and children will often place a fused square above each of these arrows, placing the cube at the very end.

The work is somewhat intuitive. The child lays out a given chain (while there is no set sequence, squaring chains precede cubing chains; the one and two chains are actually a bit trickier!). Once the chain is completed, the child recites the multiples, skip-counting to the end of the chain. Some classrooms have children write these as multiplication tables, while others have pre-printed recording sheets. Once laid out, there are a myriad of possibilities that two or three children can investigate, all in service of memorization. Children can recite the multiples progressively and then regressively. The first child flips an arrow over and another child has to name the missing multiple. Every other arrow can be flipped over and the children recite the missing multiples. Eventually all the arrows are flipped or removed, and the child(ren) skip count the multiples.

As is usually the case, the ten chain, which has one hundred beads, gets special treatment. Lay the squaring chain of 100 on the rug. Ask the child if they can fold it into a square. Superimpose the hundred square on top to show equality. Ten taken ten times is one hundred. Unfold the chain. Lay out the green unit arrows and have the child place them under the first nine beads. What comes next? The child places the 10 – 90 arrows appropriately. And finally? The large red 100 arrow. Have the children close their eyes while you remove an arrow. What’s missing? Everyone closes their eyes while a child removes an arrow. What’s missing? Later, Where is 37?  Where is 84?  Where is 61?  Or, someone (teacher or child) points to any one bead and everyone else names it. Note if a child can count backwards from 60 to get 59 as opposed to starting with 50. Skip count by tens backwards.

The cubing chain for ten often represents the final chain in the sequence, though this should not be misconstrued. The squaring and cubing chains should be done repeatedly, using the full complement of the work over and over. Carefully give a lesson on how to transport the thousand chain (it’s heavy!). Lay the long chain on a rug in ten parallel rows of ten ten-bars each, as it is when hanging. Cover with the 100 squares to show equality. Stack the 100 squares into a cube. Ten tens make one hundred, and ten hundreds make a thousand. Place the thousand cube next to the stack of hundred squares. How many beads does this chain have? One thousand! Let’s see what that looks like. Let’s carefully stretch this chain out.  Note: Some classrooms have super long and narrow rugs just for this purpose. Unfold the chain of 100 to compare. Count together from 1 – 9, then by tens to one hundred, laying arrows down as you go. When you get to one hundred, place the red 100 arrow, but also a hundred square next to it.  Continue counting with the children by 10’s to 200 One hundred ten, one hundred twenty, one hundred thirty…  Place the 200 arrow and a second hundred square. When you reach 1000, have the child place the largest arrow (green), a hundred square, and then the thousand cube. All the activities we employed with the chain of 100 can be used here.

As a teacher educator, if I have a group of thirty adult learners in an Upper Elementary course, and I’m covering squaring and cubing, the notation, the superscript 2 or 3, there is almost always two or three students who will come up to me during a break, and somewhat abashedly tell me that up until that day, they never understood why we called a number times itself  “squared” and when multiplied, “cubed”. There is no underestimating the lasting impact of using your hands to manipulate materials such as the bead cabinet, with engagement, over many years.

the spilled water lesson(s)

Maria Montessori said, “Never help a child with a task in which he feels he can be successful.”  This means that a child who is learning something new should be given the freedom to try to succeed.  If we as the adults rush in to “save the child”, the child will not learn.  Children learn through their activity, through their effort, and, very importantly, through their mistakes!  

Let us consider a child in our classroom.  He approaches the practical life area and sees a tray containing a small pitcher of water and a glass; it is a pouring work to practice control of movement.  He chooses to bring it to a table where a friend awaits.  The teacher is observing closely.  Perhaps this child has been shy about trying new things and here he is, ready to take on this challenge.  He has been given a lesson in carrying a tray with water and cup.  One must be very careful when lifting the tray, to turn slowly, and place each foot slowly, one in front of the other, as you move across the room, keeping one’s eye on the tray to keep it level.  He takes one step, two steps, he hears a bird call and his attention is drawn away from the tray.  The pitcher begins to slide…..!

The teacher is still watching.  They consider to themselves, “What is the best thing that could happen right now?” “What is the worst?”  We may think that the best thing to happen would be for the child to successfully walk across the room and gently place the tray and pitcher on the table.  How proud he will be!!  He did it!  And this would be wonderful, no doubt.  But let us consider the opposite outcome.  The tray tilts, the pitcher slides, the water, pitcher and cup all spill to the ground.  What does the teacher do?  The child is upset and so the teacher comes to his side and comforts him, yes, but very quickly asks him what he needs in order to clean the spill (a rag, they are kept by the sink), how to sweep up any pieces of pitcher or cup (a broom and dustpan hangs on the wall), how to wring the wet rag out (a bucket is under the sink), and how to tell his friends and classmates to be careful of the spot until it dries.

What are the lessons learned here?

  1. My teacher loves me.  They do not yell or scold me if I make a mistake. If I make a mistake in my math or reading, they will not be angry.  I have learned that it is a good thing to try things that are difficult. I will learn more if I take risks, try difficult math problems, sound out difficult reading words.
  2. When I make a mistake, there is a way that I can make it better. I have learned that math problems can be corrected, words can be erased and spelled correctly.  If I hurt a friend’s feelings, there is a way to make it up.  My actions have consequences, and I must deal with them, but I can try to correct my mistakes.
  3. This is how a spill is cleaned, I know where the tools are and how to use them.  I have learned that I can be independent. I can take care of things on my own.  I don’t realize that the movement of my arm in wiping the spill, and the fine motor control I exercised in wringing the water out will help me later when I learn to hold a paintbrush and pencil and learn to draw and write.
  4. The whole class has learned a lesson!  All eyes are on the teacher if the water spills, to see how they will react.  There is no scolding, no impatience, no anger.  Only calm and peace.  The rest of the children learn that this is a safe place.  Engage, try, fail, try again, succeed!

The Prepared Environment

One of the key components of any Montessori classroom is what we refer to as the “prepared environment.” In fact, Montessorians use the terms “classroom” and “prepared environment” interchangeably. At first glance, we might dismiss the term as being too obvious. Isn’t every classroom a prepared environment in some sense? But as we discover more about the inner workings of the Montessori pedagogy, we find that the term is a rich and many-layered description. We can think of it as having three main components: the classroom materials, the adults (or “directresses” and “directors”), and the other children in the space. Physically, the classroom is arranged to be conducive to the children’s independent, self-directed work. We notice low shelves, inviting materials, and work spaces both on the floor with work mats and at tables for both group and individual use. The hands-on materials are designed to meet the learning needs of the children in the relevant age group and are presented in lessons and then placed in the environment in a logical and sequenced manner. The adults in the classroom are well educated in the didactic use of the materials as well as in child development, and they actively support a classroom culture of challenging work, movement, and independent work. Lessons in responsibility, in grace and courtesy, and in sharing become part of the fabric of this environment, prepared to best suit a child’s learning.

The prepared environment describes a classroom that has been laid out carefully and methodically to maximize the independent and spontaneous work of the child. The pedagogy is based on the foundation that children move through the different stages of development as part of their natural growth. They will independently acquire what they need if they are presented with the appropriate concepts, at an optimum age, with manipulative materials. Any effective environment for children needs to be set up in such a way that the children can access the materials, which are laid out in a logical manner, with a maximum amount of independence and a minimum amount of adult direction. Further, the classroom must be beautiful and peaceful in order to better allow each child’s energies to flow without obstacles or distraction.

The Montessori materials themselves, as part of the prepared environment, also have a strong role to play. Besides their pedagogical function (hands-on, self-correcting, isolation of concept and difficulty), they too are objects of beauty. Montessori believed that working with quality materials, such as tongue-and-groove boxes, wood and glass pieces, and beads, is a crucial element to a child’s learning that would be diminished if the materials were rendered in cheaper plastic, shabbily made, or easily broken.

Of course, we can also see that the term “prepared environment” must refer to more than the tables, the desks, the rugs, and the Montessori materials, to include the rest of the children in the classroom, the teachers, the daily schedule, etc. Thus, the role of the “teacher,” which is better translated from Montessori’s Italian as the “guide, directress, or facilitator,” is less to talk at children than to prepare a classroom environment that will best facilitate a natural process already present in each child.